Shirley Dongwei Chen is an architectural designer, educator, and researcher. Before joining the College of Architecture and Planning at CU Denver, Shirley was Assistant Professor of Practice at Texas A&M University. She received her Post-Professional M.Arch degree from Princeton School of Architecture, where she also served as an editor of Pidgin.
Shirley's recent projects explore how working bodies are registered and concealed in architectural bodies of work. Her writings and drawings have been included in Log, The Avery Review, Room One Thousand, POOL, Yale Paprika!, Rumor Review, Lunch, Utzonia: From / To Denmark with Love, among others.
Her creative work has been exhibited at Biennale d’Architecture et de paysage d’Île de France (BAP! 2025), Tbilisi Architecture Biennale, a83 New York, telos haus, Trinity Buoy Wharf London, TheGallery at Arts University Bournemouth, the Levinsky Gallery at Plymouth University, and the Turnpike Gallery in the UK. Shirley has practiced professionally in San Francisco and New York. She is one half of the design collaborative DoZa.


Home Elevation, DoZa, Biennale d'architecture et de paysage d'Île de France, Versailles, France, 2025. Photo by Maria Espinoza.

The Automaton Chess Player Revisited (Drawing), a83, New York, 2023.

Working Interiors (Physical Model) a83, New York, 2023.

Kartli Archive, DoZa, Tbilisi Architecture Biennial, Tbilisi, Georgia, 2022.

Manifesto of the Ordinary, Tulane School of Architecture, New Orleans, LA, 2019.